Black History Month 2021

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You’re British.

Your parents are British.

Your partner, your children and most of your friends are British.

So why do people keep asking where you’re from?

We are a nation in denial about our imperial past and the racism that plagues our present. Brit(ish) is Afua Hirsch’s personal and provocative exploration of how this came to be – and an urgent call for change.

‘The book for our divided and dangerous times’

David Olusoga

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AFRO-CARIBBEAN. COLOURED. ETHNIC MINORITY. IMMIGRANT. BAME. URBAN. WOKE. FAM. BLACK.

These are just some of the terms being wrestled with in Black, Listed, an exploration of twenty-first century Black identity told through a list of insults, insights and everything in between.

Taking a panoramic look at global Black history and contemporary culture, this book investigates the ways in which Black communities (and individuals) have been represented, oppressed, mimicked, celebrated and othered. Part autobiographical musing, part pop culture vivisection, it’s a comprehensive attempt to make sense of blackness from the vantage point of the hilarious and insightful psyche of Jeffrey Boakye.

PRAISE FOR BLACK, LISTED: 

‘This book gives a voice to those whose experience is persistently defined, refined and denied by others’ David Lammy, Guardian 

‘A panoramic exploration of black identity’ Elle

‘Urgent, timely reading’ AnOther Magazine 

‘Inventive, refreshing and humorous’ Bernardine Evaristo, author of Girl, Woman, Other 

‘A truly radical book, which manages to be unflinching and constantly entertaining’ Caroline Sanderson

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‘The most absorbing book I read all year.’ Roxane Gay 

This is Britain as you’ve never read it.

This is Britain as it has never been told.

From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They’re each looking for something – a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . .

‘[Bernardine Evaristo] is one of the very best that we have’ Nikesh Shukla on Twitter

‘A choral love song to black womanhood in modern Great Britain’ Elle

‘Beautifully interwoven stories of identity, race, womanhood, and the realities of modern Britain. The characters are so vivid, the writing is beautiful and it brims with humanity’ Nicola Sturgeon on Twitter

‘Bernardine Evaristo can take any story from any time and turn it into something vibrating with life’ Ali Smith, author of How to be both

‘Exceptional. You have to order it right now’ Stylist

‘Sparkling, inventive’ Sunday Times

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 THE SUNDAY TIMES BESTSELLER

BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS

SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD

LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION

‘A deliciously funny, characterful, topical and thrilling novel for our times’ Bernardine Evaristo, winner of the Booker Prize

‘Brilliant, timely, funny, heartbreaking’ Jojo Moyes

‘A must-read novel about sex, selfhood, and the best friendships that get us through it all’ Candace Bushnell, author of Sex and the City

Queenie is a twenty-five-year-old Black woman living in south London, straddling Jamaican and British culture whilst slotting neatly into neither. She works at a national newspaper where she’s constantly forced to compare herself to her white, middle-class peers, and beg to write about Black Lives Matter. After a messy break up from her long-term white boyfriend, Queenie finds herself seeking comfort in all the wrong places.

As Queenie veers from one regrettable decision to another, she finds herself wondering, What are you doing? Why are you doing it? Who do you want to be? – the questions that every woman today must face in a world that keeps trying to provide the answers for them.

A darkly comic and bitingly subversive take on life, love, race and family, Queenie will have you nodding in recognition, crying in solidarity and rooting for this unforgettable character every step of the way. A disarmingly honest, boldly political and truly inclusive tale that will speak to anyone who has gone looking for love and acceptance and found something very different in its place.

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SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE | THE JHALAK PRIZE | THE BREAD AND ROSES AWARD & LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING

‘This is the book I’ve been waiting for – for years. It’s personal, historical, political, and it speaks to where we are now’ Benjamin Zephaniah

‘I recommend Natives to everyone’ Candice Carty-Williams

From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers – race and class have shaped Akala’s life and outlook. In this unique book he takes his own experiences and widens them out to look at the social, historical and political factors that have left us where we are today.

Covering everything from the police, education and identity to politics, sexual objectification and the far right, Nativesspeaks directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain’s racialised empire.

Natives is the searing modern polemic and Sunday Times bestseller from the BAFTA and MOBO award-winning musician and political commentator, Akala.
‘The kind of disruptive, aggressive intellect that a new generation is closely watching’ Afua Hirsch, Observer
‘Part biography, part polemic, this powerful, wide-ranging study picks apart the British myth of meritocracy’ David Olusoga, Guardian
‘Inspiring’ Madani Younis, Guardian
‘Lucid, wide-ranging’ John Kerrigan, TLS
‘A potent combination of autobiography and political history which holds up a mirror to contemporary Britain’ Independent
‘Trenchant and highly persuasive’ Metro
‘A history lesson of the kind you should get in school but don’t’ Stylist

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A long-overdue book honouring the remarkable  achievements of key Black British individuals over many centuries, in collaboration with the 100 Great Black Britons campaign founded and run by Patrick Vernon OBE.

‘Buillding on decades of scholarship, this book by Patrick Vernon and Dr Angelina Osborne brings the biographies of Black Britons together and vividly expands the historical backdrop against which these hundred men and women lived their lives.’

From the Foreword, by DAVID OLUSOGA

‘I am delighted to see the relaunch of 100 Great Black Britons. For too long the contribution of Britons of African and Caribbean heritage have been underestimated, undervalued and overlooked’

SADIQ KHAN, Mayor of London

Patrick Vernon’s landmark 100 Great Black Britons campaign of 2003 was one of the most successful movements to focus on the role of people of African and Caribbean descent in British history. Frustrated by the widespread and continuing exclusion of the Black British community from the mainstream popular conception of ‘Britishness’, despite Black people having lived in Britain for over a thousand years, Vernon set up a public poll in which anyone could vote for the Black Briton they most admired.

The response to this campaign was incredible. As a result, a number of Black historical figures were included on the national school curriculum and had statues and memorials erected and blue plaques put up in their honour. Mary Seacole was adopted by the Royal College of Nursing and was given the same status as Florence Nightingale. Children and young people were finally being encouraged to feel pride in their history and a sense of belonging in Britain.

Now, with this book, Vernon and Osborne have relaunched the campaign with an updated list of names and accompanying portraits – including new role models and previously little-known historical figures. Each entry explores in depth the individual’s contribution to British history – a contribution that too often has been either overlooked or dismissed.

In the wake of the 2018 Windrush scandal, and against the backdrop of Brexit, the rise of right-wing populism and the continuing inequality faced by Black communities across the UK, the need for this campaign is greater than ever.

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‘One of the most important females in British music of my lifetime.’ Colin Murray 

‘A beautiful, raw and exhilarating book that will leave you feeling empowered.’ Fearne Cotton

‘The former Skunk Anansie singer pulls no punches in this heady trawl through her life from tough beginnings in Brixton to work as an LGBTQ+ activist and beyond’ The I

Lead singer of multi-million-selling rock band Skunk Anansie, solo artist, LGBTQ+activist and all around trail blazer – Skin is a global icon, and she has been smashing stereotypes for over twenty-five years. Her journey from Brixton to one of the most influential women in British rock is nothing short of extraordinary.  

‘It’s been a very difficult thing being a lead singer of a rock band looking like me and it still is. I have to say it’s been a fight and it will always be a fight. That fight drives you and makes you want to work harder… It’s not supposed to be easy, particularly if you’re a woman, you’re black or you are gay like me. You’ve got to keep moving forward, keep striving for everything you want to be.’

Born to Jamaican parents, Skin grew up in Brixton in the 1970’s. Her career as an artist began in the ‘90s, when Skunk Anansie was formed in the sweat-drenched backrooms of London’s pubs. Since then she has headlined Glastonbury and toured the world, both as lead singer of Skunk Anansie and as a solo artist.

Her success has been groundbreaking in every way, which has come at a personal cost. She has always been vocal about social and cultural issues, and was championing LGBTQ+ rights at a time when few artists were out and gay.

Told with honesty and passion, this is the story of how a gay, black, working-class girl with a vision fought poverty and prejudice to write songs, produce and front her own band, and become one of the most influential women in British rock.

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What would you do if the people you trusted to uphold the law committed a crime against you? Who would you turn to? And how long would you fight them for? 

On 28th September 1985, Lee Lawrence’s mother Cherry Groce was wrongly shot by police during a raid on her Brixton home. The bullet shattered her spine and she never walked again. In the chaos that followed, 11-year-old Lee watched in horror as the News falsely pronounced his mother dead. In Brixton, already a powder keg because of the deep racism that the community was experiencing, it was the spark needed to trigger two days of rioting that saw buildings brought down by petrol bombs, cars torched and shops looted.

But for Lee, it was a spark that lit a flame that would burn for the next 30 years as he fought to get the police to recognise their wrongdoing. His life had changed forever: he was now his mother’s carer, he had seen first-hand the prejudice that existed in his country, and he was at the mercy of a society that was working against him. And yet that flame – for justice, for peace, for change – kept him going.

The Louder I Will Sing is a powerful, compelling and uplifting memoir about growing up in modern Britain as a young Black man. It’s a story both of people and politics, of the underlying racism beneath many of our most important institutions, but also the positive power that hope, faith and love can bring in response.

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For as long as people have been migrating to London, so has their music. An essential link to home, music also has the power to shape communities in surprising ways.Black music has been part of London’s landscape since the First World War, when the Southern Syncopated Orchestra brought jazz to the capital. Following the wave of Commonwealth immigration, its sounds and styles took up residence to become the foundation of the city’s youth culture.

Sounds Like London tells the story of the music and the larger-than-life characters making it, journeying from Soho jazz clubs to Brixton blues parties to King’s Cross warehouse raves to the streets of Notting Hill – and onto sound systems everywhere. As well as a journey through the musical history of London, Sounds Like London is about the shaping of a city, and in turn the whole nation, through music.

Contributors include Eddy Grant, Osibisa, Russell Henderson, Dizzee Rascal and Trevor Nelson, with an introduction by Soul2Soul’s Jazzie B.

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This is an essential book for understanding the history of  African and Caribbean communities in Britain.

There have been African communities in some of Britain’s major cities for over 400 years, and the first Africans may even have come to Britain thousands of years ago. This book looks at why people came to Britain, the problems they faced and the contributions these communities have made to British society. With case studies and rarely published photographs, this is an opportunity to get up close to the experiences and impact many African and Caribbean people have had in Britain. (amazon.co.uk)

To understand Britain’s position as a wealthy country and a major world player, it is crucial to know of the history and lives of the African and Caribbean communities in Britain.

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The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years.

It opens with Mustapha Matura’s 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay’s Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock’s Talking in Tongues engages with the politics of feminism to explore issues of black women’s identity in Britian and Jamaica.

From the first decade of the twenty-first century the three plays include Roy Williams’ seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah’s National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage’s terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain.

Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.

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 An uncompromising wake-up call. Joy White tells uncomfortable truths and blows apart our understanding of racism, crime and policing in our inner-cities.

Since the 1980s, austerity, gentrification and structural racism have wreaked havoc on inner-city communities, widening inequality and entrenching poverty.

In Terraformed, Joy White offers an uncompromising insiders look of Forest Gate — an urban neighbourhood in London — analysing how these issues affect the black youth of today. Connecting the dots between music, politics and the built environment, it centres the lived experiences of black youth who have had it all: huge student debt, invisible homelessness, custodial sentences, electronic tagging, surveillance, arrest, issues with health and well-being, and of course, loss.

Part ethnography, part memoir, Terraformed uses the history of Newham, London as an example of how young black lives in the inner cities of the world are affected by racism, capitalism and austerity.