Category: Imported

This year ACM students have demonstrated their work at Guildford.Games, BETTshow 24, Insomnia #i72 and, most recently, WASDLive, part of London Games Month. Why? Because every event is a chance for students to learn about networking, marketing, release schedules, employability and so much more.

Showcasing over 20 playable demos students from all three campus’ took WASDlive by storm, showcasing everything from large format group projects to short timeline Game Jams. We also had some fabulous industry visitors from Playground, Frontier, SuperCell, Devolver, London Games Month, Yogscast, SpecialEffect, Limit Break, Plaion/Atari to talk to the students about a variety of specialist subjects.

Have a look at this 3 minute video of the games we showed (a couple were shy and want to wait until June 🙂 ) and, please understand, the banging soundtrack is by an ACM music student naturally!

The emotional toll that comes with returning to university can be unexpectedly painful.

For those of us who have moved away from a busy and loving home life, whether away from family, friends or even both, coming back after a short break can be a huge shock to the system.

 After spending a few weeks at home having to return to our quiet rental student rooms, where we might not always get on with our flatmates, can be scary. Being unsure of the silence and how to get back into your routine to be ready for lessons the next day, can be quite daunting. 

I just wanted to tell you that, you are not alone. Many of us feel this way too. Others may feel the polar opposite, and be happy to run away from home for term time. But that doesn’t disvalue your feelings. 

When I’m feeling this way, I like to make sure I have a whole day to myself before getting back into the swing of things. I call this a reset day. I will start by making a short list of tasks that need to be done, followed by some forms of self-care to help me regain some clarity and positivity. Sometimes, cleaning your room or re-organizing it can help you feel better. If you’re feeling lonely, try striking up a conversation with a flatmate over dinner, instead of hiding out in your room until they are gone. (Which I’m guilty of too) You never know, that 5-minute conversation might lead to a friendship.

If you are ever struggling with anything, please reach out to your friends, family, or even the wellbeing team here at ACM. Their email is: wellbeing@acm.ac.uk 

If you’d like to join our team or have an opinion on this, email us at thebuzz@acm.ac.uk 

Two reviews for the price of one! Libbie checks out Birmingham’s regular ACM Sounds events.

What an awesome night. Three unique and talented acts ACM bands showcase at the Actress & Bishop, kicking off with an ACM staff band called FFANCLWB. A rocking drum and bass guitar duo with epic stage presence and vocals, they get our attention and start heads bobbing to their original rhythm and sound.

They were followed by The Limes, who perform a set of originals and covers. They get the crowd singing, dancing and clapping along to all their songs and deliver a fantastic show. Headliner Meraki Bey, is an angelic soulful rock vocal fusion that commands the stage. A set of all original songs from recent album releases showcased the excellence of her music and sound. Not only is she a singer, but she is a songwriter and producer too. A woman of many talents and drive and someone I’m sure will go far in the industry. 

The night as a whole was very high spirited and full of love and support for all the acts. Even in between bands tunes were being bumped by talented DJ Anil Banger (who is a student on the second year Level 3 Diploma course at ACM). Go all of us. 

Keep track and check out all the evening’s acts:

FFANCLWB

The Limes

Meraki Bey

DJ Anil Banger

Once again ACM Birmingham hosted another fantastic Sounds evening at the Actress & Bishop. An evening that was full of fun and pulsed with an electric atmosphere! Everyone was amazing – from the performers to the crowd! 

The night kicked off with Cherrydead’s very own guitarist Evie Hall! Her captivating acoustic performance was a world away from her awesome guitar skills in heavy metal girl power rock band Cherrydead. She performed a beautiful set of original songs, which moved the audience and showcased her incredible voice and her individuality! 

After a short break, the night was pumped up by the awesomely unique Not For Sale, who are a folk/ rap band – who injected the room with an abundance of energy and enthusiasm! Their set was solely originals with a sprinkle of covers and their guitarist Ioan performing a few acoustic songs of his own. They were brilliant and certainly got the crowd hyped – plus they handed out signed setlists, which everyone in the audience went mad for!

Keeping the vibes going, was the sensational Nicole Blakk. She dominated not only the stage but the whole room! She performed mostly originals that were so relatable and emotive. Her power vocals made it so the night was her own. I could have continued to listen to more, she is an unbelievable talent that we all need to look out for! Overall, the night was a shining success and an incredible evening to showcase the next generation of music! 

(LP)

Already showing incredible promise off the back of her directorial debut Exteriors, Sab Finlay-Smith seems to be just who the Gaming Industry needs today.

The gaming industry is undoubtedly male dominated and largely caters by design to a male dominated audience. Consider FIFA, one of the most popular gaming franchises, they only added international female teams and players in its 23rd release, FIFA 16, then did not add women at a club level until its 30th, FIFA 23.

Women when they are incorporated into games often tend to be secondary, sexualised or lacking any real depth. Fortunately, this is changing with an increasing number of women having their say in the gaming community; be that in Xbox Parties, gaming forums or at an employment level in the studios creating what we then get to play.

This is where Sab comes in. Progressive, level headed and dedicated, she has aspirations of tapping into an untouched market. if you Google ‘videogames for women’ the top results are almost all pretty two-dimensional; simplistic, cutsey, even demeaningly childish. Sab is after games for women that aren’t superficial, that  provide deeper stories, address darker subject matter and deliver important messages we can actually learn from. Channelling her lived experience, she’s carving a place for herself in the industry and is curating the games she wishes were available when she was growing up.  

Speaking of the freedom you find in game design, your boundaries are massively broadened – if there are any at all. You get to design your own environment, its physics and envision beyond the restrictions you may have to work around when dealing with a physical medium. This enables just the type of blossoming vision Sab possesses, with ideas that branch out, beyond the obvious playable experience and that leave an impression of the user’s psyche. 

Games may be the medium but at her heart Sab appears a passionate, enthused storyteller and an advocate and this has only enhanced her ability to create impressive and thought-provoking narratives as seen in Exteriors. Speaking on how she got into game design, ‘it just happened and it just felt right.’

Having already demonstrated her potential with her directorial role on Bad Studio’s Exteriors, Sab is an individual who has found themselves in just the industry that needs her, at a point where she could seriously make waves; with a wealth to offer and a heart aching to speak out, there is little doubt that years down the line she will be an established creative with a myriad of accolades. 

To keep track of Sab’s endeavours and for updates on future projects, including the immensely intriguing The Lens That Wonders, visit her website.

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Temporarily transporting Guildford’s Electric Theatre into an eclectic contemporary speakeasy, A chilly night out in Guildford was warmed up by the effortlessly beautiful sounds of Tutor Ensemble Mike, Nat, Sean and Ari. In attendance, Rhi Kinnair and Jack O’Sullivan share their thoughts.

ACM tutors treated us to an exceptional performance incorporating soulful covers, Mike Nichols’ passionate compositions, and even a rendition of a cheesy 70s theme song.

This performance, the first of the newly established ‘Electrical Nights’ events, certainly didn’t disappoint. It’s not often students get to see their mentors and lecturers doing what they love most. Seeing them in action, out of the classroom, was enchanting and inspiring. 

Incorporating a double bass during the first few songs of the set made an incredible addition to the night. The warmth and intensity bounces off of the building’s glass walls, filling up the room entirely with a satisfying buzz that can only be compared to stepping off of a plane into tropical heat.

Nichols’ own compositions with mesmerising drum fills coupled with catchy basslines and dreamy guitar riffs that you could almost sink into, went down a treat. Passion was evident throughout the performance, and the eminent chemistry between the musicians was clear to see. 

An honourable mention is due for their cover of Friday Night At The Cadillac Club, where the jazzy bassline and the sweet sound of fluid guitar riffs make an uplifting and inspiring sound.

Ari, with her powerful, soulful and heartfelt vocals, joined the band for the second set. There really is no doubt about it – her voice is one of a kind and absolutely has to be heard live. Showcasing gorgeous vocal inflections with a range of songs including  The Thrill Is Gone and Slim Pickings, it felt truly magical to be in her presence.

Be sure to keep up to date with Electrical Nights as it seems they have an evening for everyone, from D&B to an 80s Rewind and a singer/songwriter evening

Nat Martin

Mike Nichols

Sean Kane

Ari Tahan

(RK w/ JOS)

With Digbeth being a cultural epicentre for not only its Industrial history but a thriving local music scene, Ethan Noble had the joy of experiencing CHERRYDEAD’s first headline at Subside bar, alongside Amethyst opening the night with their first gig as a band.

Subside is a communal ground for the alternative community night scene, frequently hosting local band performances and concert afterparties. 

Amethyst began the night with an instrumental backing track that instantly set the band’s vibe, a cinematic blend of overcoming darkness. Instrumentally the bands single Daydreaming had me hooked from its beginning riff, with the vocals a blend of singing and raw shouting giving ode to the likes of Spiritbox with great success. The instrumental talent of the band is clear, with the lasting effect of the lead guitarist’s ability to both play melodically and shred. 

For their first gig the band was clearly rehearsed and ready, however sadly due to a lack of crowd interaction, the song titles or band members names were not stated, a learning point for the band for their future gigs. The drummer of the band was the standout for me with his energy and power behind the kit was the standout for me, leaving me energised and ready for the coming acts. 

CHERRYDEAD is a “female fronted metal band making music to express all the anger and sadness you can’t”, bringing an infectious energy that has instantly jolted the band’s image into the local metal scene. 

With many local gigs under their belt, their headline set was a welcome addition, they band clearly know what they’re doing. A Gen Z approach to the likes of ‘Kittie’ and ‘Garbage’, CHERRYDEAD entered their first headline having already built a noticeable audience. Their performance of their newest single Ensnared was an instant standout, described as “a sultry jam” the instrumental and vocals perfectly mixed to bring a unique vibe to Subside. 

 Forsaken Land shows the originality of the band’s approach to metal, with each members having their moment in the spotlight. Keira’s blasting of the drums matched the anger of the track coupled with stylish yet tasteful fills, showing the power the band is capable of unleashing. The solo bass sections offered a satisfying dynamic shift that displayed Kelly’s precision and talent in her playing.  Evie’s playing brought fluid fluctuation from sludgy riffs to ominous lead lines hooked me into the music, her playing leading the instrumental force of CHERRYDEAD.

 Whilst the band work together incredibly well, their energy on stage can somewhat be overshadowed by Emily’s stage presence, a definite standout of the night. She took full advantage of both stage and audience, with her balance of singing and screaming alongside a charismatic stage presence fully encapsulating the crowd. The performance will continue to bring me to future CHERRYDEAD shows.

CHERRYDEAD

AMETHYST

(EN)

Returning to The Social on the first anniversary of her first gig, Eaves Wilder captivated the sold out venue where she once began only 12 months prior. 

She loses no momentum. In the wake of a Glastonbury performance and the release of her Ep Hookey, I caught Eaves Wilder before she jets off to Paris to support the Libertines. treating us to both the keyboard and guitar, the evening made for a raw showcase of talent and emotion. 

Eaves sang almost secretively – direct, even exclusively at times – there’s this rising sense that it’s just you and her present as she performs Won’t You Be Happy? Speaking never at you, not always with you but constantly conveying, sharing something deeply personal. 

Tucked beneath Little Portland Street, packed and smoky, deeply coated in an ethereal purple light, The Social enables a grave intimacy that seriously enhances Eaves’s character and performance when she finished her set with Freefall you felt this invitation to indulge, let loose or somehow otherwise let go of that nagging knot near the heart. 

Speaking to me after the show about the importance of authenticity, the power of women in music and the impact of exposure to a wild variety of music growing up, it is refreshing to see an artist whose art appears to be an honest reflection of their personality.

Make sure to follow Eaves Wilder on her whirlwind journey and stream Hookey, then while you’re at it let us know your thoughts: thebuzz@acm.ac.uk

(JOS)

Going Down Camden Town, Our Jack checks out No Cash Refunds’ intimate affair.

Guildford based self-proclaimed ‘Laptop Musician’ No Cash Refunds sat alongside Guitarist Toby Ewen as they concocted some kind of contemporary swoon – dripping with confidence and moving weightlessly. Level with the audience as they performed on the bar floor, there were times the set merged with the audience. With no barriers connections can be made easier and there is certainly a charismatic warmth that reflects from NCR.

Though possessing a seriously modern sound there’s some absurd shade of Sinatra in his mannerisms and movements. A performance on the calmer side, an intimate and toned down set fitting for a Sunday Mid-Afternoon charity event. This minimalism enabled an easier and deeper connection with the art, personified in his stripped back rendition of Bubblegum Gf, dialling back the drums in favour of Ewen’s guitar playing and what I’d risk to call an Urban Folk sound.  

Their cover of Oasis’ Supersonic is worth a special mention. Simply put, that is how you cover a song. Behind that unique character and those twisting vocals there is that song you recognise but this is it being built upon.

NCR looks at home as he performs, lounging and shifting effortlessly from space to space. Camden is held in a funny light nowadays, it’s an area a lot of musicians actively work to get recognition in but from first glance NCR just fit right in.  

Keep up to date with No Cash Refunds and don’t forget to catch him live at From The Common. thebuzz@acm.ac.uk